“The strange, the monstrous, the mask, but also the change and concealment of identity, issues that Francisco Goya tackled in the period 1797-1798 and were captured in the 80 engravings presented in the basement of the National Gallery in Athens (the series of works was printed in 1803), we see them today in other forms of art, such as cinema,” says Syrago Tsiara, art historian, curator and director of the National Gallery, during a press tour of the exhibition “Francisco Goya – Los Caprichos (The Caprices),” curated by Katerina Tavantzi.
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